at home in williamsburg. / sfgirlbybay

this Industrial and very minimalist loft studio space in Williamsburg is the Brooklyn home of Ivonne Casas who took to renovating this former laboratory with some fellow artists, turning what was once uninhabitable into chic new york apartments. featured recently in casa vogue, i couldn't help but admire all these vintage collectibles and how they stand out in such a spare space.

David Bowie and Julian Schnabel interview on "Basquiat" (1996)

Director Julian Schnabel describes the challenges of making "Basquiat," a biography of contemporary artist Jean-Michel Basquiat, joined by David Bowie who plays Andy Warhol in the film. ""﴿───► See more on the Directors Playlist: youtube.com/playlist?list=PLIZqvqbtz9I04OH5IZee3L8FHY-Kt3I92 ""﴿───► See more on the Musicians Playlist: youtube.com/playlist?list=PLIZqvqbtz9I1K6PVM1EnYb14Fxxzam9sr ""﴿───► See more on the Artists and Art Playlist: youtube.com/playlist?list=PLIZqvqbtz9I3Awxq23UZKyGAzqzAJiUhN Check out the Patreon rewards!

Julian Schnabel | Art in Progress | Reserve Channel

Follow Julian Schnabel as he installs one of his latest shows in Naples, Italy featuring sixty works of the past 25 years, including his famous plate paintings and his wall-sized "Big Girl" painting. SUBSCRIBE: bit.ly/ZJlWBS Reserve Channel: Reserve Channel provides once-in-a-lifetime access to some of the more extraordinary people and places life has to offer.

As publisher of Arstler, the web-based fine and applied art magazine, I am pleased to announce that Renay Elle Morris, our editor of photographic and fine art development has been selected to exhibit her photographic images at The APS Mdina Cathedral Contemporary Art Biennale to be held in Malta. The theme The Mediterranean: A Sea of Conflicting Spiritualties”will be on display in the magnificent baroque halls of Malta’s Mdina Cathedral_famed for its rich archive of paintings, sculptures, drawings and artifacts of the decorative arts, architectural fragments, and curios. The 2017-2018 edition is a large-scale contemporary art exhibition, and follows the success of 2015-2016 where it initiated a framework for artists, curators and researchers to work together to establish a creative space. With a global following, invitations have been sent to Maltese and international artists who have set in motion the development of new works that challenge artistic and political conventions.

The Mediterranean region encompasses various cultures and religions. From the interaction between East and West has emerged a history of conflicts and struggles that are represented by the powerful visual cultures of each diverse community. The contemporary political scenario emphasizes the need for the arts to respond to an era of crisis and destruction. Being at the centre of the Mediterranean, Malta is a significant place for such an artistic dialogue to be exposed and challenged. Furthermore, the city of Mdina was home to multiple faiths and artistic cultures.

The Mdina Biennale started as an exhibition of solely Catholic and religious art. The immensity of the contemporary world was somewhat ignored in favour for the personalised taste of a local few, in an attempt to always safeguard the status quo. The 2015-16 exhibition helped awaken the need for a new contemporary space to welcome both local and international artists. The past has seen great strides in the rejoicement of contemporary art, with several spaces or exhibitions being set up, and with Malta’s recent entry in the Venice Biennale after a long hiatus. Nonetheless, it is this aspect of one-offs that brings peril to the contemporary scene in Malta. The need for continuity, remembrance and vitalisation is at the core of the Mdina Biennale.

Within the remits of the Mdina Biennale, this space was transformed from just being a sphere of sanctimonious sentiment to encompassing the spirit of the new age, through the exhibition of local and foreign contemporary artists. Artists from Malta, Italy, UK, USA, Germany, France, Jordan, Israel, Poland, Lithuania, Georgia, Latvia, Greece, Australia, Portugal, Serbia, Russia, Austria and Lebanon will be participating.

Each artist has been assigned a particular space within the museum and will be developing projects that respond to its permanent collection and this year’s subject. Once again, an exhibit dedicated to Maltese modern artists will hang alongside medieval, baroque and contemporary artworks, bridging different eras and art historical periods by focusing on the overlapping nature of art across time. Frank Portelli and Esprit Barthet are the chosen artists of this year’s exhibition. As a prelude to the main event, an exhibition of nude figure drawings by the Maltese twentieth-century artist and designer Giuseppe Galea was held from 7th-31st October.

“As the only American artist to be chosen to participate in this important exhibition, I will present six large-scale photographic images, ethereal in nature, that I believe capture the essence of the theme of this year’s Biennale. The photographing of the great seas has led me to discover the richness of this earth’s treasure, and of the passion of its ancient and current passengers.”_Renay Elle Morris

The APS Mdina Cathedral Contemporary Art Biennale is under the artistic direction of Dr Giuseppe Schembri Bonaci with a curatorial team led by Nikki Petroni. APS Bank is the main partner. The exhibition endeavours to bring out the past with the marriage of the present and future. It is this duality, of both idea and space, which allows the APS Mdina Biennale to take ownership of a new style of curatorship, dialogue and commemoration.

Facebook: The APS Mdina Cathedral Contemporary Art Biennale

Instagram: @mdinabiennale

Leonard Freed by Michael Auer, 1987
Leonard Freed by Michael Auer, 1987

Steven Kasher Gallery_Leonard Freed: Six Stories / Renay Elle Morris_ September 2017

Hassidics of Brooklyn, 1954
Harlem, 1963
Black in White America, 1963-65
Israel, 1962 and 1967
Italy, 1956-58
Germany, 1961-66

As fellow Magnum photographer Cornell Capa expressed in The Concerned Photographer, “… he (Leonard Freed) was a photographer of ordinary people going about their every day lives – at home, at work, and in the streets. He has a keen eye for social hierarchies and, in part because of his working class origins; he felt great solidarity with outsiders, and the oppressed.”

Mario Testino OBE is widely regarded as one of the most influential fashion and portrait photographers of our times. His photographs have been published internationally in magazines such as VogueV Magazine and Vanity Fair. He has contributed to the success of leading fashion and beauty houses, creating emblematic images for brands from GucciBurberryVersace and Michael Kors to Chanel, Estée Lauder and Lancôme.

Alongside his 40-year practice as a photographer, Testino has realised a body of work as a creative director, guest editor, museum founderart collector/collaborator and entrepreneur. In 2007, at the request of his clients to provide full creative direction services, he formed MARIOTESTINO+ which today is a growing team of individuals who support Testino to realise the breadth of his creative output.

by Eugen Berlo 2017-07-15

Tomorrow is the last day, but it’s worth to make an appointment and pay a visit to the gallery. The group show is also a statement by Raluca Soaita and Andrei Breahna. As I like to follow up with a few galleries, I have (Yahveh) to say go and see it!; it is a good one and it will please you to see a nice range of artists, from Razvan Anton, Pavel Braila, Radu Cioca, to Tania Mouraud, Karolina Bregula and Mircea Stanescu. Many thanks to Răzvan Băbiceanu who walked me through.

“This public showing is the way Raluca Soaita and Andrei Breahna responsibly position themselves as related to the artists hosted by their gallery. The constant presence of video in the public space, the American-school photo, the drawing, the installation, the performance, the animation – they all have shaped a certain artist / intellectual profile in the gallery space, one bearing various practices, which EASTWARDS PROSPECTUS is supporting and developing. The exhibition is a coherent and clear discourse about the gallerist/artist relationship, about the exhibition space and the challenges raised by certain works that one feels connected to.” - read more

Brilliant, urgent and provocative, German artist Georg Baselitz is among the most celebrated artists of his time. His engagement with German national identity at a time when many artists were shying away from so difficult a subject was an extraordinary act of self-assertion. Much of his best work appears hideous, unsettling, and in some cases even crude. But there is far more to Baselitz’s paintings and art prints than first meets the eye, and their apparent coarseness camouflages their own astonishing levels of accomplishment. He has famously experimented with mediums, shifting between drawing, wooden sculpture, and painting. Prominent works include the Fracture paintings of the late 60s, which contain echoes of his life in divided Germany, but he is perhaps best known for his iconic upside-down paintings, in which the artist inverts the subject matter in order to highlight the artifice of painting.

by Renay Elle Morris

_2017 holiday greetings_Iceland. Magical. Light and color in an instant. Arctic-scapes reflect volcanic flow. Old Norse descendants revel in tales of ancient times.

_Moscow on a cool and rainy May afternoon.
Passerbys are treated to imagery along a route_an unusual setting to view the arts.

_Judaica and bridal gowns at Israel’s Jaffa shuk. Take a leisurely lunch at a cafe nearby.

Renay Elle Morris / June 2017

For decades, Valera and Natasha Cherkashin have added layer upon layer of philosophical and political ideology to their masterful works of photographic genius. With exhibitions, lectures and talks on an international stage, the art of their images have recently been compiled into a 254 page publication entitled, Actions, Happenings and art performances 1962 – 2016 _ Night with a Pioneer Leader, which delves into a history of 2 artists_a husband and wife team, and the legacy of their talent. What inspires them may not offer an easy answer. Perhaps it is a fearless energy to defend beliefs, or a lifetime of a Soviet regime. Perhaps it was Perestroika, the political movement and the "openness"policy that led to the reforms of the Soviet political and economic system during the1980s that allowed for such ambitious work.

by Sanju Mathew

Nutmeg Editions is a printing and publishing studio specialising in hand lithography, intaglio and relief printing. It was set up by Sanju Mathew. Nutmeg Editions welcomes and encourages innovative and experimental approaches to printmaking. We can guide and facilitate both experienced and relatively inexperienced printmakers; prior understanding of specific techniques is not a necessity. Nutmeg deals with all the practicalities of the printmaking process from start to finish. The technical support artists receive allows them the freedom and the confidence to develop ambitious ideas should they wish to.

Ion Țuculescu s-a născut la 19 mai 1910 la Craiova, provenit dintr-o familie de intelectuali. Urmează cursurile Colegiului Național "Carol I" din Craiova, unde în orele de desen primește primele îndrumări de la profesorul său Eugen Ciolac, de la care a aflat o parte din tainele picturii. Prima expoziție la care a fost remarcată prezența "pictorului diletant Ion Țuculescu" - alături de a fratelui său Șerban - este cea organizată în 1925, în sala de recepții a Palatului Administrativ al județului Dolj. Deși apreciat pentru talentul său artistic, Țuculescu nu se va îndrepta către o școală superioară cu profil artistic, ci se înscrie la Facultatea de Științe Naturale a Universității din București, pe care o va absolvi în 1936. Paralel frecventează și Facultatea de Medicină, obținând doctoratul în 1939 cu calificativul magna cum laude. Deși se dedicase studiului, Ion Țuculescu continuă să picteze și are prima expoziție personală în 1938 în sala Ateneului Român din București.

Până în anul 1960 participă la mai multe expoziții colective, expune la Salonul Oficial în 1941 și 1945, deschide șapte expoziții personale în clădirea Ateneului Român.

Dacă medicina nu l-a solicitat prea mult, cu excepția anilor de război, când fiind medic militar uimește prin devotament și abnegație, biologia devine celălalt pol al existenței sale în calitate de cercetător științific la Academia Română, zilele și nopțile împărțindu-le între paletă și microscop.

Pictura a învățat-o ca autodidact și distanța de la primele sale tablouri până la cele din epoca maturității a parcurs-o muncind cu înverșunare disperată. Deși a fost prezent în viața artistică fără întrerupere, opera lui a rămas aproape fără ecou, adevăratele sale dimensiuni vădindu-se abia în anii când nu mai expune, claustrat în locuința lui, unde materia lui plastică avea să se cristalizeze orbitor după îndelungate și misterioase mutații.

© treasure of the heritage_st petersburg / renay elle morris /photopressimages.com/ 2017